As a part of Post-Muzica series
Tag: Variát
Variát in Post-Muzica series
Today as a part of Post-Muzica series there will be a premiere of audio-visual work from Variát “For The Heart Of Kyiv” ”Some fights are old, some have roots in ancient times, embedded in myths and legends, carrying the spirit from one generation to another. Our enemy would come with different names and different faces,… Continue reading Variát in Post-Muzica series
Radio On Berlin with Dmytro Fedorenko
Radio On’s friendship with Dmytro started in the winter of 2013-2014. In a weekly series of skype connections we listened to his reports from the Maidan uprising. Those events turned out to be decisive in the further development of Ukraine as an independent state. Russia didn’t agree with the new government. The war in Donbass,… Continue reading Radio On Berlin with Dmytro Fedorenko
A new interview with Variát from the Chain D.L.K. zine
“… This project sees the imprint of a newly founded label Prostir and blends dissonances, corroded and corrosive sounds forged by hammered toms, drilled cymbals, metallic objects hit like percussion, and over-amplified combined with sparkles of synth-driven pierced modulations and even hooks to folk songs. Let’s give the word to its author.”
VARIÁT is in Top100 albums of 2021!
http://www.indierockmag.com/article34782.html “I Can See Everything From Here” is in 15th position of Top100 albums of 2021 by Indie Rock Mag version! “On connaissait l’Ukrainien Dmytro Fedorenko pour l’électro-indus forcené et le glitch déstructuré de son projet Kotra, pour les expérimentations synthétiques en tous genres du label Kvitnu désactivé il y a peu, ou plus récemment… Continue reading VARIÁT is in Top100 albums of 2021!
Yellow Green Red reaction to Variát
Perfect for the autumnal season, here comes the Ukrainian artist Dmytro Fedorenko and his Variát project. It’s kinda like dungeon-synth without the synth, if that makes sense? In place of any obvious keyboards comes bass guitar in an extremely heavyweight form, often bristling at the edges with digital distortion and speakers vibrating beyond their capacity.… Continue reading Yellow Green Red reaction to Variát
Indie Rock Mag reviewed Variát
On connaissait l’Ukrainien Dmytro Fedorenko pour l’électro-indus forcené et le glitch déstructuré de son projet Kotra, pour les expérimentations synthétiques en tous genres du label Kvitnu désactivé il y a peu, ou plus récemment pour les soundtracks techno post-apocalyptique et vaporeux du duo Cluster Lizard qu’il forme avec sa compagne et graphiste Zavoloka chez Prostir,… Continue reading Indie Rock Mag reviewed Variát
A short review on VARIÁT from the Silence And Sound:
“VARIÁT builds industrial architectures ready to collapse in the gaping holes opened by metal monsters playing post-metal fueled by gothic folk and cabalistic experimentation. An intense and dark album.” https://silenceandsound.me/2021/10/26/variat/
15 Questions to Dmytro Fedorenko
Fifteen Questions just published an interview with Dmytro Fedorenko (Kotra / Variát) on the topic of Sound. https://15questions.net/interview/dmytro-fedorenko-talks-sound/page-1/
Great review on Variát from Vital Weekly
You may not have heard of Variát before, but it is the newest musical project from Dmytro Fedorenko, who worked earlier as Kotra. He recently stopped his Kvitnu label and now only concentrates on making music. There is indeed a bit of change here. As for instruments, he currently lists guitar, bass, synthesizer and drums,… Continue reading Great review on Variát from Vital Weekly